The Freelance Pool Is Shrinking

Every conversation about the labor shortage lands on the same false choice: eat the rising freelance rates and hope the pool refills, or start converting show ops to full-time staff and eat the overhead instead. Both are wrong moves. The pool isn’t refilling on its own, and building full-time crew for show operations defeats the entire point of running a lean production company. Your overhead should live in admin, not in bodies you’re paying to sit idle between bookings.

The data explains why the pool is shrinking, not why the freelance model itself is broken. Nearly nine in ten event professionals say the labor shortage is directly affecting their events, and the driver isn’t a pandemic hangover working itself out. It’s a generational shift: younger skilled workers are choosing full-time employment with benefits over flexible gig work, the reverse of what the industry assumed when it built its staffing model around a deep freelance bench over the last decade.

That’s a real supply shift. It is not proof you should abandon the bench model. It means the freelancers still willing to work the gig side are becoming a scarcer, more contested resource, and the owners who get first call on the best of them are the ones who win the next few years. Everyone else is going to be scrambling a call sheet two weeks out, every time, paying premium rates for whoever’s left.

So the real question isn’t full-time versus freelance. It’s what makes a freelancer pick up your call before a competitor’s, in a market where they have more leverage than they’ve had in a decade.

Pay above scale isn’t overhead, it’s retention insurance for a bench you don’t carry on payroll. Booking cadence matters more than any single rate: a tech who gets twenty calls a year from you doesn’t need your benefits package, they need to know you’re a reliable source of income, and that beats a slightly higher one-off rate somewhere else. Payment speed is a real lever too. Net-7 versus net-30 sounds like a back-office detail until you realize freelancers are choosing who to work for based on who pays them fastest, not just who pays them most. And the owners treating their best freelancers as season-long relationships, checking in between gigs, giving first right of refusal, remembering what they’re good at, are the ones building a bench competitors can’t poach.

The instinct right now is to panic about rising day rates. Rates rising isn’t your problem. Losing your best freelancers to a competitor who calls them first and pays them faster is your problem. Fix that, and the labor shortage stops being a shortage. It’s just a market you’re better positioned in than everyone else still treating freelance talent like a commodity instead of a relationship worth protecting.

Good People Don’t Fix Bad Processes

Hiring experienced people is one of the most common solutions AV production company owners turn to when their businesses become difficult to manage. Projects are getting bigger, the calendar is filling up, and the owner is spending too much time answering questions, resolving conflicts and making decisions that should be handled elsewhere in the organization. The obvious answer seems to be finding someone who can take some of that responsibility off their plate. Maybe it’s an experienced project manager, an operations director or a warehouse manager who has worked for

Read More »

When the Sales Promise Meets Production Reality

A proposal might include a producer, technical director, audio engineer and several technicians, but the client isn’t necessarily thinking about those individual positions. They’re thinking about the promises made during the sales process and trusting that the team assigned to the project will deliver on them. This creates a responsibility for both sales and operations. The salesperson needs to communicate what was promised, and the production team needs an opportunity to review the scope, identify potential challenges and ask questions before taking ownership of the project. For example, a salesperson

Read More »

The Owner Shouldn’t Be the Operating System

There’s a stage in growing a production company when being involved in everything feels responsible. You know the clients. You know which crew members work well together. You know which piece of equipment has been temperamental, which vendor will come through in a pinch, and which client needs a little more communication than everyone else. When something goes sideways, people come to you because you can usually solve it quickly. That works remarkably well… until it doesn’t. As the company grows, all of that knowledge becomes less of an advantage

Read More »

Subscribe

* indicates required